Quick Review: A legendary tale of valor, which Snyder adapts with epic effect, the testosterone-driven "300" is led by Gerard Butler's masculine charisma, and fueled with arousing, highly stimulating battle sequences, enhanced by flashy CGIs and nifty slow-motion, which look even more stylishly gritty through the grainy, high-contrast cinematography with golden tint that gives a picture-like artfulness to the visuals, offering as many state-of-the-art shots, as the action does sheer thrills.
Wednesday, March 9, 2022
Wednesday, January 12, 2022
[6.75/10] Eternals (2021)
Quick Review: Tossing all at once - an elaborate, yet slow and uneven plot, a bunch of all-new characters with little depth, and busy, if always swanky action, "Eternals" is a lot to take in, little of which is thrilling, but it stands out with an untypically dim tone, racial and sexual diversity and all the serious topics it touches, as well as with Zhao's flair and skill to visualize grand cosmic imagery and flashy superpowers with the help of first-class CGIs, even if her direction feels kinda passion-less.
Friday, January 7, 2022
[7.00/10] Ghostbusters: Afterlife (2021)
Quick Review: Cleverly connected to the original '80s movies in way that it generates nostalgia, but also revitalizes the franchise, "Afterlife" is a sweet, entertaining, amusing, and poignant reboot with action, humor, heart, and some memories-inducing surprises which, in addition to its sweet family-driven story, adorable junior new additions and familiar old faces, offers plenty of cartoon-like visual effects and crazy-fun 'busting' to appeal to every age.
Wednesday, December 29, 2021
[6.50/10] Don't Look Up (2021)
Quick Review: Too halfwitted to be taken seriously, yet too grim to be funny, "Don't Look Up" is a tonally obscure and darkly amusing blend of a scientific disaster drama and a black comedy that gets the satire right in the thought-provoking way it depicts modern society as careless, shallow, cynical, and conspiratorial, that's alarming to say the least, and though the script far from sharp, the star-studded cast do their very best to add edge to the whole 'end of the world' drained scenario.
Thursday, December 23, 2021
[6.75/10] The Matrix Resurrections (2021)
Quick Review: Epilogue-y, built on déjà-vus and ultra-meta, "M4" offers a fresh take on 'what is real', inserts cool new bots, and cleverly reunites Neo and Trinity to deepen their love story and throw a debatable twist at the end, but it neither has the flair, style, looks, brains, nor the startling action of the first, despite the use of flashy motion tricks, ending up as a less cerebral and visually imposing, yet daring sequel that mocks itself, society and film industry.
Wednesday, December 22, 2021
[11/10] The Matrix (1999) – [22nd Anniversary Re-Review]
Quick Review: A deftly-conceived, thought-provoking mind-bender with a level of depth as ingenious as its groundbreaking 360° 'camera spin' shooting techniques, innovative use of slow-mo and 'bullet time' effects, expertly-staged kung fu action, and exceptional stunt work, "The Matrix" is revolutionary for the sci-fi genre, and one of the most conceptually and technically accomplished films in cinematic history, led by a trio of adept actors, born to play their out-of-this-world characters.
Tuesday, December 21, 2021
[9.00/10] Spider-Man: No Way Home [3D] (2021)
Quick Review: Every Marvel freak dream-come-true, "NWH" integrates the Multiverse in a deftly nostalgic, if crowded way by reviving a bunch of our beloved villains to deliver one of the most elaborate, soul-stirring and surprise-filled MCU flicks so far, but also the darkest and most dramatic Spider-Man film yet, which balances out the emotional moments with light humor, rare, albeit epic-level grand action set pieces and stellar effects, though the starry cast arouses the biggest excitement here.
Friday, December 17, 2021
[4.50/10] Encounter (2021)
Quick Review: What kicks off as a 'virus' sci-fier about mind-controlling bugs, using some superb close-up opening shots, quickly turns into a 'road movie' involving a disturbed father on-the-run with his two sons, and it doesn't take long until you realize it's all in Malik's head, and though Ahmed is very convincing as the paranoid ex-prisoner, you can't help but feeling misled by the whole 'mental illness' twist and let down by the inevitably generic finale, and the actual waste of Spencer.
Monday, December 13, 2021
[6.75/10] A Writer's Odyssey (2021)
Quick Review: A dual tale about a novel that affects reality, "A Writer's Odyssey" blends a personal drama with political undertones and a world of mythological fantasy in inventive way, and although the dad-daughter story is not as moving as it aims to, the film succeeds in its fantasy bits, thanks to the adventurous nature of the plot, superb CGI work with vivid use of color, and thrilling action, with Redmane's grandiose final fight and the bloody 'village massacre' being the most epic set pieces.
Wednesday, December 8, 2021
[7.50/10] A Boy Called Christmas (2021)
Quick Review: An appealing and adventurous old-fashioned fairy tale with elves, trolls, pixies, and talking animals, set against an enchanting snowy scenery that contrasts nicely with the colorful village of Elfhelm, but also an emotional fable of loss, hope and kindness, about a boy on a quest of finding his dad, not only "ABfC" captures the holiday spirit in a fantastical 'magic is real' fashion, but it also touches with an emotional family story at its center.
Friday, November 12, 2021
[6.00/10] Clifford the Big Red Dog (2021)
Quick Review: As goofy, harmless, and good-hearted as its giant, fluffy canine protagonist, "Clifford" is on one hand a fun, playful, enjoyable, and often enchanting family-friendly comedy about an oversized red CGI dog causing frenzy in NYC, and on the other - an adorable story with a 'dare to be unique' message about the sweet bond between two misfits - with Camp and Whitehall injecting further heart and laughs to this feel-good film for pet lovers.
Sunday, November 7, 2021
[5.50/10] Finch (2021)
Quick Review: Long, slow-moving, dragged out, and neither funny, nor thrilling, nor action-packed, nor very moving, apart from the tear-jerking finale, yet well-made and led by a solid turn from Hanks, "Finch" is a road trip survival drama about the relationship between a lone human, his dog, and his droid invention, set against the barren post-apocalyptic backdrop of sun-burned Earth, but nothing much happens, apart from cute and curious robot Jeff bonding with the struggling Finch.
Wednesday, October 27, 2021
[6.25/10] Venom: Let There Be Carnage (2021)
Quick Review: A full-blown goof-fest with body-tearing nastiness and a relentlessly nutty villain, who lives up to his name, this short-n-sweet, if rushed sequel benefits from Hardy's zany one man show in the first half, where he contradicts with his inner Venom-self, but the big fun comes when he clashes with Carnage in an action-packed CGI-enhanced havoc of a third act that compensates for Cletus' ill-fitting kooky romance and Shriek's weak backstory.
Tuesday, October 19, 2021
[5.75/10] Dune (2021)
Quick Review: Visually sweeping, and so grand, it's overwhelming to take in all the otherworldly imagery and majestically sandy scenery, yet lifeless, uneventful, dry in tone, and sluggish in pace, Villeneuve's vastly ambitious space opera with political essence is a technical prodigy that also flaunts a stellar cast, but being 'only the beginning', "Dune: Part I" feels exactly like one, as its flatlined prologue-like story devoid of thrills, soul, action and epicness is easy to devour, but not to digest.
Friday, October 8, 2021
[6.00/10] Nightbooks (2021)
Quick Review: More about 'weirdo' kids with wild imagination than scary stories, "Nightbooks" is a vibrantly-crafted, enchantingly spooky horror fantasy with a clever "Hansel and Gretel" twist, whose colorfully glossy neon-lit looks make it quite a visual experience, in addition to the sweet bond between the two youngsters, but the most fun bit here is Ritter's wicked turn as the young witch who goes for revenge in a surprisingly dark third act that may be a bit too creepy for the little ones.
Friday, September 24, 2021
[6.75/10] Free Guy (2021)
Quick Review: Packed with goofy humor, fantastically digitized visuals, ridiculous action sequences, tons of film and pop culture references, and surprise cameos, "Free Guy" is a delightfully nerdy trip into the world of video gaming and the obsession of playing, brought to life by flashy CGIs, and a bunch of playful, often cheesy acting -- Reynolds levels up his foolish side as the likable NPC-gone-viral, Waititi's overacting is so-bad-it's-fun, and Comer is a badass as Guy's romantic crush.
Friday, September 17, 2021
[4.00/10] Prisoners of the Ghostland (2021)
Quick Review: As an eclectic mix of vivid Japanese-flavored sets and "Mad Max" style scenery, the movie doubtlessly has a level of artfulness about its visuals, but that and some cool katana fighting in the third act aside, it's an inadequately directed and written dystopian nonsense with sluggish pacing, bizarre characters, and humdrum plot with no trills that neglects Boutella in favor of Cage, who wants to be a badass, but looks incapable of being one.
Wednesday, September 8, 2021
[4.25/10] Demonic (2021)
Quick Review: A clumsy blend of hi-tech sci-fi and possession horror, "Demonic" has a good idea behind it with the whole 'virtual recreation of person's memory' premise, but the diabolical spin on the 'a daughter's trip into her homicidal mom's mind' scenario feels ill-fittingly fabricated, and though the mother's history is unsettling, the scariest thing here is Blomkamp's fear to realize his vision and concept, delivering an uneven, poorly-made, shabby-looking misfire with no tension or frights.
Tuesday, September 7, 2021
[9.50/10] Shang-Chi and the Legend of the Ten Rings [3D] (2021)
Quick Review: A rousing if emotive story about an endearing friendship and a family torn by grief that shifts between the present and an 'wuxia' fantasy world which honors Chinese mythology, the deftly-filmed "Shang-Chi" flaunts vibrant visual artfulness alongside the masterful fights, jaw-dropping stunts, and swanky action, enhanced by superb CGIs and nifty use of 3D, but its Asian cast is just as glorious -- Liu breathes his hero, Leung domineers, whilst Awkwafina brings the wit and humor.
Saturday, September 4, 2021
[4.75/10] Cinderella (2021)
Quick Review: A modern take on a classic story that does little to stand out, other than putting an LGBTQ+ twist on The Fairy Godmother, and throwing a bunch of terrible-to-okay numbers in a "GLEE" fashion that barely work, "Cinderella" has a crisp and colorful imagery that give it a true fairy tale feel, but the irritating characters, dodgy acting and insipid script that want to be bold, but plays it too safe make this one a cringy musical, in which Cabello sparkles, but never really dazzles.


















